I regularly notice that writers incorrectly shift from one character’s point of view (POV) to another. That is, they give us more than one POV in the same paragraph. I know I did when I first began writing fiction, and I continued to struggle until I got my brain wrapped around what POV is. Nancy…
Readers want to see character growth and change through the course of the story. This is the character arc of your story. Character growth can be as simple as having your heroine realize she doesn’t need a man in her life to be happy, or as complex as overcoming the childhood trauma of abuse. Here…
“Bloated, chunky, dull dialogue is a five-alarm warning to the reviewer that you can’t write salable fiction,” says James Scott Bell in his book The Art of War for Writers. Dialogue, like any other part of your novel, must move your story forward. An important part of good dialogue is the distinctive voice of each…
Take a look at the picture above. What’s the first thing that comes into your mind? Danger? A bygone era? What ever your thought was, the fact is the picture triggered that thought. That is the creativity of your mind in action. Now think about how you can use what’s in this photo in your work in…
Let’s connect the pieces of plot, scene, and sequel. Plot at its most basic level is your lead character’s goal and the journey to reach that goal. That journey is played out in the scenes and sequels of your story. Scenes show the reader the individual steps your character takes to reach his or her…
Unlike the scene, which happens moment by moment, the passage of time in a sequel is flexible. Here you can move quickly through hours or days (even months) in your story. What took 158 words as a scene can be written in much fewer words. I’ll take our last example, a scene, and make it…